Pages

Showing posts with label Thomas Drinkard. Show all posts
Showing posts with label Thomas Drinkard. Show all posts

Thursday, November 10, 2011

Author Thomas Rowe Drinkard Releases "V Trooper"

Thomas Drinkard was born and reared in the Deep South—Alabama. He graduated from the University of North Alabama with a degree in English. At graduation, he was commissioned as a Second Lieutenant in the United States Army and went on active duty eight days later. Within two years, he volunteered and was accepted into the Special Forces (Green Berets) after Airborne and Special Forces school, he’d found a home. With a few other assignments in between, he spent ten years with the fabled unit. He was unhappy with the Army’s plans for his future and left active duty and moved into the reserves. He is now a Major, retired reserves.

After the Army, he found his way into teaching and writing in the securities licensing preparation business. His textbooks, articles and CE courses are in use today. His poetry can be found in a number of literary magazines, including Negative Capability, Cotton Boll/Atlanta Review, Elk River Review, Sisyphus and others. One of his Vietnam poems was chosen for inclusion in Whatever Remembers Us: An Anthology of Alabama poetry.

Piety and Murder was his first novel, and the prequel; Where There Were No Innocents followed. The novella, V Trooper, is a departure for him in both form and genre. It is Tom’s first venture into the paranormal and the shorter format. The book is first in a series.


V Trooper

A vampire novel with a unique, modern twist. Wil Boyd is a vampire, but he is also a soldier. He is deployed to Afghanistan and his hunger leads to discovery of his secret. The man who Boyd tells about himself, Vic Russell, is a former Special Operations soldier who has lost half of one leg, but aches to become part of combat operations again. In Boyd, Russell sees a weapon to terrorize the terrorists. This is the first in series.


Amazon.com

V Trooper An Excerpt


Prologue

Mustafa Muhammad was cold. Night in the mountains near Bamiyan, Afghanistan, chilled the Taliban warrior. His robes were not enough to block mountain winds that slithered as he squatted, watching the trails that led to his master’s encampment at the top of the hill.

No enemy will come, not even the infidel’s Special Forces, but the Sheikh would have my head removed if I left this post. Eight of us guard the Sheikh’s tent. If I have to piss, I can only go three meters away to a tin bucket, and I have to smell it until my relief comes at four in the morning. Then I have to take away the bucket, empty it, and bring it back for the next man.

My sergeant is sleeping in a comfortable bag inside a big, warm tent while I freeze.

A sound, like great wings above him, made Mustafa look to the stars and lift the barrel of his AK-47.

Nothing.

Then he was there, coming up the hill. A slim man in a black uniform, an American. He approached Mustafa without speaking. In the bare light of the sickle moon, the man seemed to smile. Before the Taliban guard could bring his weapon around, the stranger had grabbed the gun barrel. He was smiling, though there was a strange look to his mouth.

The intruder wore curved sunglasses and pulled them aside as he came ever closer. The eyes were red and glowed as fiery as the burning coals they mimicked. Mustafa released his grip on the weapon and turned to run. He opened his mouth to yell an alarm, but a hand as cold and hard as a knife’s blade covered his mouth and spun him around, drawing him against a body hard as dragon’s scales. The mouth the Taliban soldier thought was eerie, opened. Fangs, like those of a viper, glittered in the moonlight.

The only sound at the guard post was a slight drumming as the dead guard’s feet trembled in the dirt.


1

It started with a routine complaint from an Afghan farmer, and then changed.

“Sir, there’s a local man who says that someone from my company has been stealing his sheep. One of my troops says he knows who did it.”

The baby-faced captain had come to Major Vic Russell, reporting a problem that could adversely affect the unit’s relations with the local community. Russell was the commander of the 3rd Battalion of the 54th Sustainment Brigade. His unit was a bullets and beans command, providing supplies for combat forces. The unit was headquartered near Kabul, distant from areas normally infested with active Taliban.

“Have you had the Civil Affairs Officer look into the problem?” Russell said.

“Yes, sir. He’s with the farmer now. We were hoping that you could spare a minute to let the farmer know we’re concerned from the top down. Good Hearts and Minds stuff.”

The major levered himself out of his big swivel chair, pausing a couple of heartbeats, establishing his balance.

“Okay, Captain, I’ll speak to the farmer. Go with me. Who said he knew who did this?

“My Food Service Sergeant said one of his cooks, a private, saw a man carrying a sheep to an abandoned house at the edge of the Village. The man was an American soldier.”

“Tell me the whole story when we get back from our Hearts and Minds visit with the farmer. We’ll call in your Sergeant and the cook, if necessary.”

Russell, two captains and an interpreter met with the Afghan just outside the compound gates and listened as he told his story. Anyone within fifty yards could have heard the bitching. The American officers listened to the man’s complaints through the interpreter.

“What would two decent sheep be worth?” Russell said

“About a thousand Afghanis, sir,” the interpreter said.

The Major turned to the Civil Affairs Officer.

“Give him a little more, give him about $25.00 worth and he’ll have nothing to gripe about. I’ll sign the voucher for it.”

When the interpreter explained the cash windfall, the farmer was ecstatic and covered it poorly. The sheep he’d lost must’ve been skanky.

In the meeting with Civil Affairs captain, the Food Services Sergeant and the cook, the private said the man he’d seen carrying a sheep into the broken house was a sergeant named Boyd.

“There could be legal proceedings, so don’t talk about this with anyone. It could bite you in the ass. I’ll call you in when I need more information,” Russell said.

When the troops were gone, Russell called in his battalion Sergeant Major, a veteran of several wars, Bobby Flynn. He was a thickset man with dark, wavy hair and wild eyebrows. He wore Master Parachutist’s Wings and a Combat Infantryman’s Badge, uniform; decorations Russell also wore. Flynn had a leg-lift brace from a wound he suffered while assigned to a Ranger unit in Iraq.

When Flynn came through the door, Russell nodded for him to close it behind him and motioned to one of the visitors’ chairs.

“Who is this Sergeant Boyd, Bobby? I don’t recall meeting him,” Russell said

“Hasn’t been here long. He’s an MP with the security detachment. He’s been attached to us less than two weeks. You haven’t met him, because he pulls night duty. The new men usually pull those shifts. It’s a special courtesy.”

“Bring him to meet me. Stay close. I may need to call you in to witness.”

An hour later, Flynn escorted Boyd into the Battalion Commander’s office, stepped back outside and closed the door. The sergeant reported to Russell formally, coming to attention and saluting. He was blonde and lithe as a whip. He touched his heels at the same second his fingers touched his forehead in a salute.

“Stand at ease, Sergeant. Someone has accused you of stealing two sheep from a local farmer. Tell me your version of the story,” Russell said.

Boyd relaxed his posture to a parade-ground position, which wasn’t at all relaxed. His response came, respectful and quiet.

“Sir, I did it. I stole the sheep. I killed them,” Boyd said.

The direct admission caused Russell to pause and fall back on military formalisms until he could assess the sergeant.

“Sergeant Boyd, as your commander, I have the duty to inform you that court martial or punishment under Article 15 may result if what you say is true,” Russell said.

“Yes, sir.”

“Boyd, you are admitting an offense that could get you into deep shit. Do you know that?” Russell said.

“Yes, sir. I wanted to clear the air. Major, can I ask for someone from the surgeon’s office to check me?”

“Why?”

“Sir, I’ve got a problem.”

“Tell me about your problem,” Russell said.

“Sir, this is going to take a few minutes. May I sit down and talk to you openly?” Boyd said.

“Sure, sit.”

Russell leaned forward, elbows on his desk.

“Major, I may be a vampire,” Boyd said.

Tuesday, April 12, 2011

Thomas Drinkard Interviews IAN Member Lia Fairchild









T. Hello, welcome to the Pinnacle Writing blog. Please tell us about yourself.

L. I am a native Californian who loves reading, writing, movies, and anything else related to the arts. Writing is something I’ve thought about all my life, so the completion of my first novel, In Search of Lucy, is truly satisfying. I hold a B.A. degree in Journalism and a Multiple Subject Teaching Credential. My most enjoyable moments are spent with my family, traveling, spending time outdoors, or simply laughing and being together. Look for updates on my next book athttp://www.liafairchild.com or follow me on Twitter athttps://www.twitter.com/#!/liafairchild

T. When did you start writing?

L. I would say officially I started about one year ago. In Search of Lucy took me about 9-10 months to write and it has been out there for about 6 weeks. I did some writing when I worked in PR and there were times when I tried my hand at poetry and even a screenplay, but this book is my real introduction.

T. Please tell us about your current book; genre and blurb.

L. General fiction: Drama

Thirty-year-old Lucy Lang is lost. She spent most of her life sacrificing her own needs to care for her sister and deal with their alcoholic mother. Now alone and bitter, Lucy struggles to find her own purpose in life. Unfortunately, Lucy becomes depressed, cynical and self-destructive. At times she’d even contemplated suicide as a way out. When she is just about to hit rock bottom, Lucy finds out her sister needs a kidney transplant; she is the only match! Trapped in a lonely existence to save her sister, Lucy sets out on a journey to reunite with her sister and search for her own identity.

T. What are your writing habits? Are you an outliner or do you write “by the seat of your pants?

L. I didn’t use an outline, but I did have the whole story basically planned out in my head first. I knew where I wanted the story to go. I don’t like to sit at the computer and try to figure out what I’m going to write. I need to be relaxed and in a different environment to work out each scene before I head to the computer.

T. What are your ideas about the future of digital publishing?

L. I have to say it is both exciting and scary. It will bring out a lot of talent from people who maybe thought previously it was too hard to publish. On the other hand, I feel like the market is already getting saturated with people who think they can throw something together and make some quick money.

T. Anything else to share?

L. I really hope people will give my book a chance. I’m a new author with a new story, but I think it is one that most people can relate to. I think they’ll find the characters very endearing and realistic, and feel very connected to what’s happening to them in the story.

T. Thank you for visiting.

IAN Member Page

In Search of Lucy is

Available in Kindle at Amazon.com

Available in NOOK at Barnes&Noble.com

Smashwords.com

This interview was previously published at Thomas Drinkard's blog http://brinson1.wordpress.com/

Sunday, March 27, 2011

Sample Sunday for March 27

Today we are treated to a Sample of

Piety and Murder

by

Thomas Drinkard

A Sample of Piety and Murder by Thomas Drinkard




Ahead of me, a tractor-trailer rig was in the right lane, brake lights flaring. I looked in the left rearview mirror, to pull into the left lane and pass, but a blue and white pickup pulled even with me and crowded me toward the rail. As I slowed, he slowed. It looked at first like the normal stupid driving one sees on the bridge every day, until I glanced in the rearview and saw an identical pickup on my rear… much too close to my bumper.

I started bumping the brake to keep the guy behind me off the back bumper. We were all still moving at about twenty or twenty-five mph. Where were we on the bridge? Yes, up there ahead. Just about a half-mile lay the last U-turn.

The pickup behind me tapped the Jeep’s rear bumper, the rig in front slowed even more. The pickup in the left lane had pulled alongside, then slightly ahead. These damned pickups looked like the ones I had seen at the turnarounds with trailers to haul off vehicles that have broken down. But these were sure as hell not driven by the Causeway emergency crews.

I had always idly wondered, and never knew, what those small trapdoors about sixteen inches square, on both sides of the large rear doors on some tractor-trailer rigs were for. Just then the one of them opened, and I saw one use. The door on the right side dropped down and the ugly nose of something that looked like an assault rifle poked out and pointed down at us.

I hit the brakes, still going about fifteen mph and was rewarded with hard smack on the rear bumper from the truck behind me. I simultaneously yelled at Rita to get down under the dash and snatched the Desert Eagle from its holster from under the seat.

The windshield exploded as two rounds slammed through. Either the bastard shooting was a lousy marksman, or the moving target and strange lighting on the windshield threw him off. He missed both of us.

Then the back window blew out. We were stopped. Surrounded. I slammed the Jeep into park. The engine was still running. I flipped the safety to the “fire” position
on the Desert Eagle.

As always, in the haze that envelops me in battle, I remember tiny, insignificant detail; like how the glass from the windshield had shattered into such tiny pieces and sparkled on the dashboard. The rig ahead was silver, and needed washing. The guy in the rig was swinging the barrel of the weapon for a carefully aimed shot. He had evidently figured the angle.

I put two quick rounds just below the trapdoor, about a foot apart, blowing neat holes through the thin skin of the trailer and probably out the other end of the rig. The “double tap,” handgun instructors call it. The rifle barrel disappeared.

The passenger door to the pickup on the left was opening. I couldn’t see who was exiting yet, but there was a weapon preceding him. I shot through the door of the truck twice. A man with a stubby assault weapon fell out to the pavement. I was about to put another shot through the cab at the driver, when I felt and heard the whip-snap of a bullet nearly taking off the top of my right ear.

The truck behind! Brinson, you dumbshit!

I was damned nearly deaf from the big .50’s roar inside the jeep, and had been totally involved in those who I could see ahead and to the left of me. I opened my door to drop out just as a round hit the left rearview mirror. As my door swung open, two rounds went through it. I pushed it to the full open position then spun across the seat to the passenger door, raised up quickly, shot through the windshield of the pickup behind us, left and right. The shooter was hanging out the passenger door with what looked like an AK-47. He dropped behind the door, apparently not hit.

I had two rounds left in the pistol and one more seven-round magazine. I shot one of those remaining in the pistol through the radiator of the truck behind me, ducked down, changed magazines and quickly popped up to see what was in front of me.

Nothing. Both the tractor-trailer rig and pickup truck to the left had gone. I left the door open, leaned left and looking at the road between the door hinge and body of the Jeep, snatched the gear selector into drive floored the gas pedal. I nearly jolted myself out of the seat, but managed to hang on to the steering wheel. A round from the truck behind us hit the left front roof column, and I swerved back and forth a little to screw up his aim. Screaming down the road with wind tearing at my eyes, my ears ringing I managed a glance back.

The truck wasn’t following. We were alone on the bridge.

The tractor-trailer rig had evidently gone straight ahead. One of those pickups must have been towing an emergency hitch and trailer—probably for my jeep.

I reached out to check Rita. She had not moved or made any sound since she had crouched in the well under the dash. I didn’t think she could have been hit, but a cold, immediate fear blanketed me. As I touched her back, she uncoiled to face me, her face white and eyes glittering. She held a small automatic. Then, understanding she was safe, shrunk back into her seat gulping for air.

“Keep your pistol ready and your head down.” I spoke to her as if she were a fellow trooper in combat, which was true enough at the moment. I paused long enough to make sure my pistol was on “safe,” and headed the Jeep toward home.

I shook like a drenched man standing in a cold wind.


Available at Amazon/Kindle

Barnes&Noble nook

Thomas Drinkard at IAN



Wednesday, March 23, 2011

Thriller Thursday For March 24

Our Thriller Thursday post is

Piety and Murder

by

Thomas Drinkard



Piety and Murder by Thomas Drinkard


Picture

Mack Brinson has two major problems. He is trying to recover from the long trauma of losing the love of his life—his wife Song. Now, his only family, Song’s mother Huong, is being systematically, and legally, bilked by a sleazy televangelist’s organization. When Brinson goes to the smarmy preacher’s headquarters in an attempt to stop the thievery, he is physically threatened. Brinson is a former Green Beret and isn’t intimidated. He goes after the preacher in an attempt to gather embarrassing information. When he gets too close, someone tries to murder him in a running gunfight on the Lake Ponchartrain Bridge. Along the way, Brinson meets a woman, Pattie, who finally begins to dissolve the emotional walls he has erected. He begins to learn how to love again. There is an unseen hand behind the preacher’s organization. The face of the antagonist is unclear, but when Huong is kidnapped, Brinson has to call on his old Special Operations contacts to find the kidnapper and rescue her. The face of the man behind the televangelist finally becomes clear and shocking. Vengeance: slow and awful lies ahead.

Thursday, March 17, 2011

Thomas Drinkard Interviews IAN Member and Co-author of Energetics: The First Order

Previously posted on March 14, 2011 by Thomas Drinkard






T. Hello, Terre, welcome to the blog please give us a bit of biography for both of you.

TB. Hello, Thomas. Daniel Ward, my husband, and I are co-authors of the Science Fiction Thriller ‘Energetics: The First Order.’ I am a Graphic Designer, Illustrator Motion Graphics Artist and a published Art Reviewer. Daniel is an Electronic Engineer, a Sound Engineer, Musician, Videographer, Notary Public and Court Videographer.

T. When did you start writing?
TB. We began brainstorming ‘The Four Orders of Inherent Freedom’ series about four years ago and began writing it two years later. I tried to convince Daniel to write a treatise or series of white papers on the scientific knowledge he had accumulated over the previous 30 years, but investing time into something so rigid held little appeal for him. As we discussed his research, we fell into the idea of couching the information in a fictional form—much more creative, exciting and rewarding.

T. Was there a favorite writing teacher or mentor? Tell us about him/her.
TB. I would have to say that my writing has been impacted by what I learned of ‘art’ in general: regarding philosophy, expression, performance and constructive criticism. This I gained from all my professors—English, Design, Art History and Theater.

T. Please tell us about your current book; genre and blurb.
TB. We discovered that classifying our book into a specific genre was tricky. Drama springs from the human story, the thrill of science fiction unites the threads of the adventure, and the series is an allegory of today’s social ills—offering optimistic alternatives to an otherwise, potentially, grim future. It played out in our minds like a series of films, and the best comparison we can give is that it’s ‘less Star Trek and more The Day After Tomorrow.’

Drama? Sci-Fi? Utopian? From others’ feedback, we were encouraged to label it a Sci-Fi Thriller.

T. Do you have a sequel or prequel in mind or in progress?
TB. Yes, there are three more books in the series, and the only way for us to develop and retain the integrity throughout was to project and map out the main story lines across all four books. So, to different degrees, we’ve been working on all four books collectively, but we are currently writing the second book.

T. Where is it available?
TB. Energetics: The First Order is available as a Kindle eBook on Amazon.com http://www.amazon.com/dp/B004I8WPDK and signed paperbacks can be purchased from our web site: www.thefourorders.com (http://www.thefourorders.com) and through The Independent Author Network. http://www.independentauthornetwork.com/terre-britton–daniel-ward.html

T. What are your writing habits? Are you an outliner or do you write “by the seat of your pants?
TB. People often ask about our co-authoring process. Our brainstorming and writing techniques evolved in a very organic and symbiotic fashion. For two years we were ambitious dreamers: molding characters and designing scenes until they began to align themselves into plots. As all these elements grew more robust and complex, we dove into the next logical step of development—the adventure of writing!

We discovered that written collaboration has many similarities to verbal communication, with an added sense of actualization and accomplishment. Initially, for ‘Energetics,’ Daniel laid down a lean outline, and from that root we each began to build out sections when inspired. Once we learned the nuances of the other’s writing style, we were able to work, both independently and together, on fleshing out, massaging and polishing an assemblage of parts into a whole.

The resulting harmonious flow between the meeting of our minds—and creating something of this magnitude together—was, and is, one of the most significant and electrifying experiences we have ever known.

T. What are your ideas about the future of digital publishing?
TB. Multifaceted issue, simple answer: digital publishing is a great advantage to indie authors, in particular. This becomes clear if one just stops for a moment and considers if it was not an option open to us.

T. Anything else to share?
TB. Although we knew that at some point we would actually have to sell our book, while writing it, our focus was on creating a piece of art. Eventually we began researching the numerous marketing tools and strategies available. How pleased and surprised we were to discover an entire sub-culture of indie and self-published writers helping each other succeed. Our thanks go out to you, Thomas, and everyone who has helped us along our path so far; and the thrill of the journey continues!

Please visit our ‘Energetics’ Facebook Page, not only to keep up with our book news, but for information on many excellent authors and their works.

T. Thank you for your visit.

Sunday, March 13, 2011

Thomas Drinkard Interviews IAN Member Beth Barany

This interview was previously published at Thomas Drinkard's blog http://brinson1.wordpress.com/


T. Hello. Thanks for visiting the site, please give us a bit of biography.

B: I’ve has been making up fantasy and adventure stories all my life. It only took me thirty years to actually start writing them down, then grit and determination to whip them into shape. I love writing to empower girls and women with my kickass heroines who have to save the world against great odds.

By day I helps authors get their books done and out into the world. I also lead trainings for groups, associations and conferences all over the San Francisco Bay Area, the United States and Europe about motivation, persistence, publishing, craft and marketing.

My favorite city is Paris, where I’ve lived twice. My flavor ice cream is mocha chip. My favorite movie is a toss up between La Femme Nikita, The Fifth Element and Serenity. My favorite band is a toss up between Florence & the Machine, Evanescence and Sting. My favorite author: too many to count.

In my off hours, I enjoy cardio kickboxing, stick yoga, reading and watching movies with my husband, author and musician Ezra Barany. And two cats!

T. Wow! When did you start writing?

B: I started writing when I was seven years old. It was a fantasy story about our cats. I started writing down my dreams at thirteen and at twenty I wrote the first version of Henrietta The Dragon Slayer.

T. Was there a favorite writing teacher or mentor? Tell us about him/her.

B. Mrs. Maffei my eighth grade teacher stretched me as a writer. She had us writing all kinds of things such as poems, scary stories, diaries, comedy, how to, inspirational, motivational, essays and history papers. I loved it! And just knew that I wanted to be a writer from that point forward.

T. Please tell us about your current book: genre and blurb.

B. With pleasure! It’s a young adult fantasy.

Henrietta, The Dragon Slayer
Book 1, Five Kingdoms series
by Beth Barany
Kindle edition releasing Feb. 28th, 2011

Henrietta, the legendary Dragon Slayer of the Kingdom of Bleuve, can’t stomach the thought of one more kill. Yet in order to save her dying mentor she must go on one last quest. But will the quest for the healing stone be derailed by misfit companions, seasickness, and an egomaniacal king? And will she be able cut past her conscience and kill the dragon?

T. Sounds like lots of fun. Do you have a sequel or prequel in mind or in progress?

B. Yes, I have two more books in the series in progress.

T. What are your writing habits? Are you an outliner or do you write “by the seat of your pants?

B. I go deep and fast for my first drafts after I’ve daydreamed, then written the pitch and a 5000-word synopsis. So I’m part “pantser” and part outliner. I like an element of surprise and I like to know the gist of the story, especially the last scene. But I can’t know it fully until I actually write it. I love the first drafting process even though it can be anguishing, especially those moments where I absolutely don’t know what happens next. Or when I’ve discovered a dreaded plot hole and have to take a leap of faith to find what happens next.

T. What are your ideas about the future of digital publishing?

B. The digital publishing world is only going to grow. Opportunities abound for authors who are willing to go for it. The e-book market is growing at an exponential rate, especially outside the Untied States. And authors and other artists can now be entirely in charge of building their following and benefitting financially in a big way, like never before. We don’t need gatekeepers anymore between the audience and us. Our audience is our gatekeeper. Our job is to get the word out to our readers and give our readers what they want: a compelling great story.

T. Thank you.

B: Thank you Thomas for having me at your site! Readers can contact me through http://www.bethbarany.com/

And of course through Twitter:

http://www.twitter.com/beth_barany

and Facebook:.

http://www.facebook.com/BethBookCoach.



Wednesday, March 9, 2011

Thomas Drinkard Interviews IAN Member J. F. Jenkins




Do dragons exist? If they don’t, they should. Today, I’m introducing J. F. Jenkins, a member of the Independent Author Network whose book, Legend of The Oceina Dragonwe’ll explore.

T. Hello, please give us a bit of biography.

J. I’m a twenty-six year old Minnesotan who’s been writing for over half of my life. I’m a wife and a mother of one baby and two cats. My day job is being a barista, and I love every minute of it.

T. When did you start writing?

J. I started writing consistently at about the age of twelve. I’d written a few really short things earlier than that, but I got into the art form in middle school to pass the time during classes. I would write self-insert fanfiction about the X-Files and pass it around to my friends. It was hilariously awful, but I had a lot of fun. A couple of years later I started writing my own original stories. Sometimes I’d write with friends, and sometimes on my own. I finished my first full-length novel the summer of 8th grade. It’s about 80,000 words of pure crap, but I was naturally proud of myself. Over the years, I continued to grow, and now I’m publishing my first novel!

T. Was there a favorite writing teacher or mentor? Tell us about him/her.

J. My favorite writing mentor was a professor I had in college. He taught me so many great things about style and technique, the power of reading your work out loud (it does wonders!), and humility because we did critiques in front of the entire class. He’d sit at the front, read the student’s story out loud, and everyone who wanted to say something did. It was an eye opening experience. A quote I carry with me often that he always said: “You can’t make this **** up.” Best writing advice I’ve ever gotten.

T. Please tell us about your current book; genre and blurb.

J. My current book is a young adult, fantasy and romance.

Darien Oceina is the youngest son of the Great Dragon Lord of the Water. For years he’s loved and cherished Tai Dawson from afar. Tai is a simple, ordinary girl who doesn¹t even know Darien exists. On his eighteenth birthday, he chooses her as his wife. But there’s one problem: She thinks his choice means she’s going to be offered as a sacrifice to the Dragon Lord, but instead, she’s forced to move to his home, far away, to give up her life and be his bride.
When she first sees Darien after the ceremony, she doesn’t expect to feel anything but hatred toward him. The two are struggling with the complications of a new marriage when their nation is attacked by a rival dragon species. Together they learn to love one another while they struggle to stay one step ahead in a game where the prize is their survival.

T. Do you have a sequel or prequel in mind or in progress?

J. I do. I have a companion novel I’m currently editing. I call it a companion novel because the events it take place simultaneously with this current book to explain what’s happening through the eyes of ‘the other side’. I have a couple of short stories too that elaborate on the cultural differences in my world I’ve created. There will be a sequel, and probably two more books following that. It’s an elaborate world.

T. What are your writing habits? Are you an outliner or do you write by the seat of your pants?

J. I do a little bit of both. I have a basic outline I’ll follow just to remind myself where I’m supposed to be going. I almost always have the beginning and the end figured out, and one or two major events for the middle. What I do is write it down in my little notebook and cross things off as I go, adding and taking away as necessary. Beyond that, I fly by the seat of my pants and it all falls into place as I go.

T. What are your ideas about the future of digital publishing?

J. I’m a fan of digital publishing. I think it’s necessary in this world of advancing technology, but I also am sad to see the hard copy beginning to fade out. I believe it’s important for publishers to offer affordable and easily accessible versions of both for their readers.

T. Anything else to share?

J. You can find out more about my work and me by visiting my blog:jfjenkinswrites.wordpress.com. I’m also on Twitter and Facebook.

T. Thank you.