Joel Hirst-The IAN Interview

Joel D. Hirst

Joel D. Hirst is a writer and novelist. Author of the recently released “Lords of Misrule”, he has also written “The Lieutenant of San Porfirio” and its sequel “The Burning of San Porfirio”. He is currently working on “From the Camps”, the saga of a boy from a refugee camp in East Africa. Hirst has worked as an international aid worker for almost two decades, and has been a fellow at the Council on Foreign Relations. Hirst is a graduate of Brandeis University. He lives in Gilbert, Arizona.

IAN: Please tell us about your latest book.

Joel D. Hirst: “Lords of Misrule” is the story of a young Tuareg boy who is brought into conflict and forced to flee his country of Mali. It is about his journey across the Sahara to become an Islamic Judge (Qadi) and jihadist, before he finds something that changes everything in the dusty libraries of Timbuktu. It is the tale of the making and unmaking of a jihadist.

IAN: Is Lords of Misrule published in print, e-book or both?

Joel D. Hirst: Both.

IAN: Where can we go to buy Lords of Misrule?

Amazon.com    BarnesandNoble.com

IAN: What inspired you to write the book?

Joel D. Hirst: We are in the midst of a dramatic international conversation on the issue of violent Islam, especially as terrorist attacks keep hitting the west and the Islamic State and their atrocities dominate the news cycle. There is a tendency to oversimplify issues and appeal to stereotypes or to simplistic arguments, without recognizing that Islam also has its own history and people their own motivations. Through this novel, I am telling the story of a young Tuareg boy who gets caught up in Jihad, and why. And how he finds his way out of it – and what the consequences are. The novel delves a lot into Islamic tradition, as well as Tuareg/Saharan history. Specifically, it looks at traditions of rational thought in Islam, Aristotelian philosophical traditions that were lost almost 1000 years ago and have not yet been re-discovered, and what would happen if they were. It is a hard story, but an honest one which adds my perspective to some of the ongoing debate.

IAN: Did you use an outline or do you just wing the first draft?

Joel D. Hirst: That’s an interesting conundrum. I try to make an outline, and I usually know where my protagonist ends up at the end of the story before I write it. But when I sit down and start to write, the travails and travels and circumstances for the protagonist sort of write themselves. So I have found that I don’t do too well with a formal outline, just milestones that I want to arrive at and let the story fill itself in as I go along.

IAN: Do you have a specific writing style?

Joel D. Hirst: I use lots of magical realism in my writing. My novels series of “San Porfirio” were Latin American magical realist novels written as dictator novels. “Lords of Misrule” also has magic, this taken from Islamic and pre-Islamic Saharan traditions, which I think you’ll find both interesting but also gives flavor and color to our understanding of different societies. Besides that, “Lords of Misrule” is written in third person limited point of view. It is sweeping, and epic – and holds closely to the flavors and sights and smells of the Sahara.

IAN: What do you hope your readers come away with after reading your book?

Joel D. Hirst: I hope the book allows readers to reflect on the real reasons why terrorism exists, what some of the motivations could be, and what are some ways that the power of the mind is used to combat violent ideology. The book is not meant to lecture, it is instead meant to give people a look into the mind of a young man who finds himself fighting on the ‘wrong’ side and what he feels about that, and what steps he tries to take to save his soul.

IAN: What books have most influenced your life most?

Joel D. Hirst: More than individual books, authors. My favorite storyteller is W. Somerset Maugham; and it is from him that I learned how to story-tell (I like Moon and Sixpence; I love Of Human Bondage – although I found it immensely sad). I learned magic from Isabel Allende (not all her work I like, and her political leanings annoy me, but Eva Luna is a masterpiece). And Ayn Rand of course was pivotal in my understanding of the individual as the central character in their own story – the fight for freedom and meaning and reason (Atlas Shrugged of course, but I prefer The Fountainhead. That story is a little more honest and tries less hard to be philosophical).

IAN: Do you see writing as a career?

Joel D. Hirst: I would love writing to be a career. It’s a difficult time for new authors, as all writers know. Publishing houses only invest in a ‘sure thing’ and the ‘democratization’ of the publishing world, while a good thing, makes it a little hard to break through into to the general public. These are not complains, just realities. Writers have always faced challenging times to make themselves heard above the fray. This is not new. All that to say, right now I hold a day job, which I do love, but which also allows me the income and experiences to continue to write until one of my novels “makes it”.

IAN: Do you recall how your interest in writing originated?

Joel D. Hirst: I come from a family of educated folks. My father has a PH.D. and my house was always full of books. My brother is a journalist and a writer (non-fiction). So writing, as a natural result of thinking, has been something that I’ve known forever. I started writing fiction after living for 4 years in Venezuela during the apex of Hugo Chavez’s “revolution”, and saw so much there that was novel-worthy and that there was no way to express in non-fiction that I decided to tell a fictional story about what I had seen. The struggles of ordinary people to find meaning in their lives under political project that wanted all of their attention. The desires of the poor to be free from hunger, and the desires of the rich to be free from the poor. An honest story that does not really take a side, necessarily, but that shows why the ideas led to the apocalypse; all of this ended up being “The Lieutenant of San Porfirio”. I followed this up with “The Burning of San Porfirio”, which starts with the collapse of the political project and the death of “El Comandante” and follows the protagonists as they try to re-discover humanity and rebuild their lives after the revolution sputtered out. “A modern day, secular Pilgrim’s Progress” is what it has been called.

IAN: Do you have to travel much concerning your books?

Joel D. Hirst: I have been blessed with wide travel. I have visited four continents and more than fifty countries; Africa, North Africa, Latin America, and Europe. I have lived for more than thirty years overseas, in some of the hardest places in the world. These travels have made me sensitive; they have made me sad. They have robbed me of my feeling of invincibility and they have made me question a lot of what I believe and was taught. But my interactions with people has given me a deep commitment to their struggles, which is something that comes out in all my writing.

IAN: Who designed the covers?

Joel D. Hirst: The artist for all my novels is Andres Rodriguez, a company called Arghoost Toons. He is Argentina and lives in the southern interior of that country.

IAN: What were the challenges (research, literary, psychological, and logistical) in bringing your book to life?

Joel D. Hirst: Lords of Misrule is my best written (according to my editors), and most challenging, novel. It took me 2 years to research and another year to write. I had to research Islamic thought, philosophy, traditions and history. I also had to learn about Tuareg and Berber history and traditions and then I had to weave those together over the backdrop of an epic Saharan tale. All of this required a lot of reading and talking to Tuaregs and Muslims from different traditions. It helped that I was living in Mali for these years, and so I had direct exposure to so much of the fabric of the novel. And then the book went to an Islamic scholar to make sure it was accurate and respectful, as well as to an Amazigh (Berber) expert to ensure that the traditions of that ancient people were respected. It was a heavy life, and I invite you to pick up a copy and immerse yourself in something foreign, yet enrapturing.

IAN: Tell us about your next book or a work in progress. Is it a sequel or a stand-alone?

Joel D. Hirst: I have finished writing and am currently editing my 4^th novel, provisionally titled “From the Camps”. It is the story of a boy’s from a refugee camp in East Africa and his hard journey to manhood, and meaning. It is a story of poverty and of violence – for too many people across Africa, it is their life’s story.

For more information about this author and his books click here > Joel D. Hirst

Fleur Tamargo: The IAN Interview

Fleur Tamargo

I’m from the Philippines, I love writing and public speaking. I’m quite an introvert which is a contradiction since I love public speaking and have no stage fright at all. I love art, and hate convention. When I write something I make sure it’s unique and unpredictable. I don’t like one dimensional characters because in real life, people are most of the time complex, multi-layered creatures.

Independent Author Network: Please tell us about your latest book.

Fleur Tamargo. There was this guy I was infatuated with back in high school. I dreamt about him for several years after his death. That kind of thing continued for more than a decade, and I made a journal where I wrote down all my dreams. After more than a decade of dreaming, I finally decided to make a novel out of it.

Thus, “A Dragonfly’s Dream” is about a girl who gets to be with the man of her dreams (literally, since she can only see and talk to him in her dreams).

A Dragonfly’s Dream is a deep, multi-layered novel. There are a lot of things going on between

the lines, and an analytical reader can pick up a lot of stuff beyond the obvious. But at the same time my readers say that it’s also very light and funny. And of course, romantic.

The cover was done by my very talented niece, Molly Sira and an artist from the U.S., Colleen Sgroi. When my niece saw Colleen Sgroi’s dragonfly painting on the internet, she immediately fell in love with it. I sent an email to Ms. Sgroi and thankfully she agreed to let me use her dragonfly to grace my book cover.

IAN. Is A Dragonfly’s Dream published in print, e-book or both?

F.T. For now, it’s available as an e-book. Though I’m also working on the print version.

IAN. Where can we go to buy A Dragonfly’s Dream?

F.T. For Kindle at Amazon

IAN. What inspired you to write A Dragonfly’s Dream?

F.T. Like I said, this book is based on my own dream journal. I wanted to give life to the dreams I was having.

IAN. Did you use an outline or do you just wing the first draft? 

F.T. I used an outline. At first, I didn’t know how to go about it, but along the way, I got the idea that every chapter of my book should begin with an entry in my main character’s dream journal.

IAN. How did you come up with the title?

F.T. In some cultures, a dragonfly symbolizes change. Dealing with the past, and dealing with changes is quite a prevalent theme in my book.

IAN. What do you hope your readers come away with after reading A Dragonfly’s Dream?

F.T. I think I’m going to leave it up to them. Just like my characters, my book is multi-faceted and different readers will see and will come away with different things. But whatever it is, I want it to be something positive.

IAN. How much of the book is realistic?

F.T. It’s a magical realism, but a lot of it is actually quite realistic or based on real life.

IAN. How is A Dragonfly’s Dream different from others in your genre?

F.T. The writing style is different from the mainstream. When I write something I try to make sure that the story flows smoothly, like water. It also introduces some things about my own local culture. It’s not your usual love story.

IAN. Do you recall how your interest in writing originated?

F.T. My sister published a book on Crimson Romance entitled “How to Wed an Earl.” That inspired me to write my own book.

IAN. Do you have any advice for other writers?

F.T. I believe that all writers need to write. It’s how we express our souls. It’s not just about selling the book. Expressing our true nature this way is actually therapeutic, and it has tremendous benefits on a person’s well-being.

IAN. Tell us about your next book or a work in progress. Is it a sequel or a stand-alone?

F.T. I’m working on a historical romance that has its setting in Asia. Like my previous book, I want it to be different from the mainstream.