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Friday, April 13, 2012

Dracula: Hearts of Stone--A Tale of Magic, Romance and Fangs by A.J. Gallant

Dracula: Hearts of Stone

A tale of magic, romance and fangs. This adventure is sprinkled with humor.

This MIGHT be a little like Dracula if written by J. K. Rowling. It’s a place where magic and vampires interweave for an exciting adventure.

We start with a shiny new pot of boiling water and add too many evil vampires, and not enough of the good biters. Toss in one suicidal Dracula; add a cup of mayhem and a dash of romance. Oh yes, and a pinch of mirth. Stir lovingly and you have a new novel by A. J. Gallant. If it sounds like the recipe for you then you must read Dracula: Hearts of Stone. Dracula commands it.

Will Dracula male contact with a long lost love?

New York City is under attack.

Dracula is suicidal in a world where evil vampires are in the early stages of taking over. The Master has lived too long and can’t find a reason to face another day. Nasty vampires are feeding on vulnerable mortals and causing chaos. Years ago he trained valiant sheriffs and expects them to defend the humans but they are being overrun. Piers Anthony, the author, is now a vampire. He spends his days attempting to get the Master to snap out of it and to defend the humans, without losing his head.

A 12-year-old girl is a rare hybrid, half human and half vampire; she was conceived the normal way, with her mother a mortal and her father a vampire. Jenny is slowly discovering that she may be a blood wizard. She’s already an accomplished vampire killer and can cast spells, but an underground figure has noticed the girl. Some believe that she might be the one of legend that tips the scale toward good.

Sheriff Alexander and his vampire German shepherd stand and fight for justice.

Will the red sheriffs be overrun? Will Michael finally get the courage to ask out the sheriff?

Here are some of the characters in this book.

Dracula is a bit of a good guy.

Piers Anthony is now a vampire.

Jenny is a 12-year-old hybrid with extraordinary talent.

Lauren is an exceptional sheriff with unsurpassed fighting skills.

A very special Siamese cat searches for Dracula.

Tessy is a vampire German shepherd that hates the evil ones.

Alexander is a handsome sheriff trying to save the world, one vampire at a time.

Amazon

Dracula: Hearts of Fire

Jenny is well on her way to becoming a high level wizard, but the evil vampires are multiplying at an alarming rate. But it's definitely not easy to learn the ways of a wizard.

The red sheriffs have their hands full as Dracula finally decides that he's going to help.

Dracula: Hearts of Glory

Jenny discovers that she's one of the most powerful wizard's in existence, but her lack of experience may just be the death of her.

The battle rages to an exciting conclusion.

Author A.J. Gallant

The writing spark was first initiated by reading the works of Harlan Ellison. A. J. Gallant is now inspired by such authors as Steven King, J. K. Rowling, Dean Koontz and many others. He's the writer of more than a dozen screenplays.

The author resides in New Brunswick and is at work on a new Dracula series, with magic, romance, and the battle to save humanity. The first of the vampire trilogy Dracula: Hearts of Stone is now available.

A. J. Gallant is currently working on the sequel Dracula: Hearts of FIRE and should be available in August, 2012.

http://www.independentauthornetwork.com/a-j-gallant.html

Wednesday, April 11, 2012

Armageddon Yellowstone: Hell Unleashed is a Psychological Thriller by Terry Rich Hartley

Armageddon Yellowstone: Hell Unleashed

It would explode with a force a thousand times more powerful than the Mount St Helens eruption in 1980. The world’s largest super-volcano located underneath the United States’ Yellowstone National Park is set to blow. (Actual report from the UK's Daily Mail.)
A scientist on a suicide mission...
A brain damaged boy disappears from the hospital...
A Faustian bargain with a mysterious life form ...
A ghostly shaman bearing visions of disaster...
A rash of murderous behavior in two small towns
A cavern concealing clandestine paramilitary maneuvers...
A vast, deep reservoir of fiery molten rock threatening the heart of North America...

Armageddon Yellowstone: Hell Unleashed, the stunning new science fiction thriller from award-winning writer Terry Rich Hartley, author of Paranoia on River Road, The Ditchrider's Daughter, Whisper, and Whisper II: The Books.

Reviews:

“This is a full slate of a story. It is a feat in and of itself that the author, Terry Rich Hartley, pulls all the strands together; major kudos to him . . . It's a fast moving story, and it keeps you hooked . . . a killer high tech thriller.” (LiteralRemains.com)
“If like me, you're a Brit fascinated by Yellowstone and the films about volcanoes, this is a book worth reading. It combines geology with science fiction, with a bit of native American mystique thrown in for good measure.” (debbie-bennett.blogspot.com)

Buy at Amazon

Also by the author:

Paranoia on River Road

A dispatcher sends Deputy Sheriff Lita Echeveria to a ghoulish burial site. A professor isolates himself in Mystic Canyon after apparently going mad. A wealthy retired farmer lives in denial of child abuse. A mysterious blonde girl and a dog point the way to criminal evidence before disappearing. The interaction of these characters cracks the boundaries of normal/abnormal psychology and criminal justice/cosmic punishment, and reveals the aftermath of a collision by two complete strangers, each running from his own past.

“Hartley does an excellent job of tying all the loose ends together, and bringing them home in just the right way. As they say...Karma's a bitch...and this one delivered quite a bite!” (Loretta Wheeler)

Whisper

Biff Summer has a rich life: a cabin above the Madison River in Montana, river guide friends, a heart touched by a mentally challenged boy, and a possible future with the boy’s mother. He seems to have it made. Problem is, Biff is actually Larry Grady, a grifter on the run from a notoriously brutal loan shark who plans a living autopsy for him. “Mr. Awful,” will employ any means to see that happen, including unleashing “The Birddog,” an evil bounty hunter who it’s said will follow his prey’s psychic trail of fear into hell if he has to.

“Haunting! If you think you can run from your past you should read Whisper. It gives real meaning to the old saw: You can run, but you can't hide. The characters were absorbing to the point I actually cared about their outcomes. This psychological thriller captures one's imagination.” (Amazon Review)


Noted science fiction editor Jerry Pournelle wrote in Far Frontiers magazine:

Terry Rich Hartley thinks that perhaps we were not all meant to love one another, except in the sense that flesh is heat, and we enjoy that love we feel as we kill or are killed.

While that ominous theme occurs in some of his fiction, Dr. Hartley argues that he's really a normal guy who likes to bring the abnormal side of psychology to story writing. Hartley has been a research psychologist, psychology professor, and journalist, but his passion is and always has been fiction writing.

His current themes mingle psychology, science fiction, and horror with suggestions of the paranormal. Prior to chasing his doctorate he wrote science fiction stories and also earned first-place awards for newspaper column writing and for editing in New York State.

An avid outdoorsman, Hartley lives in the rugged American West beside a turbulent river where scary themes play on his mind.

Tuesday, April 10, 2012

Meg Mims:The IAN Interview

Meg Mims is an award-winning author, artist and amateur photographer. Her book, Double Crossing, won the prestigious 2012 Spur Award for Best First Novel from the Western Writers of America. She loves writing blended genres – historical, western, romance, suspense, mystery with a touch of inspirational elements. Meg infuses historical details and vivid imagery into her writing. Her heroines usually have artistic talent to some degree. Being an artist, Meg loves to incorporate her own experiences of sketching, painting or crafting into the stories she writes. Her romance novella, The Key to Love, published in February of 2012, features an artist who creates collages. Meg earned her Master’s degree in Writing Popular Fiction from Seton Hill University in Greensburg, Pennsylvania. A lifelong Michigan resident, she also writes non-fiction articles about lighthouses and keepers for Lake Effect Living, a west coast of Michigan on-line tourist magazine. Her article, “South Haven’s South Pier Lights” depicted the life of James S. Donahue, a one-legged Civil War veteran and lighthouse keeper, and appeared in The Chronicle of the Historical Society of Michigan.

IAN. Please tell us about your latest book.
MM. Although I had received more than 25 wonderful reviews on Amazon.com and Goodreads, I was stunned when I noticed a “tweet” on Facebook that mentioned my name and Spur Award in the same 140 characters. I had hoped to get recognized as a finalist, of course, but I also knew the competition would be tough. I quickly checked my email and saw the congratulatory email from my publisher, Astraea Press, followed by the official “letter of recognition” from the Western Writers of America Spur Award chairman. It’s been a blur since then, with preparations to attend the June convention in Albuquerque, New Mexico, a book signing at Seton Hill University’s Alumni writer’s workshop plus an invitation to speak and sign books at the South Dakota Book Fest in late September. I’m excited!

Here’s a brief preview of Double Crossing:
In August of 1869, Lily Granville is stunned by her father’s murder. Only one other person knows about a valuable California gold mine deed — both are now missing. Lily heads west on the newly opened transcontinental railroad, determined to track the killer. She soon realizes she is no longer the hunter but the prey.

As things progress from bad to worse, Lily is uncertain who to trust—the China-bound missionary who wants to marry her, or the wandering Texan who offers to protect her … for a price. Will Lily survive the journey and unexpected betrayal?

One recent reviewer said, “I was swept away from the very start. I was constantly trying to figure out who did what.. The book was packed with action, betrayal, mystery and had a little love mixed in. I really think a lot of men would enjoy this book.” I hope that’s true—the men who told me they read it did enjoy it. And I know women, young and old, can identify with Lily’s “journey” and sympathize with her quest. I loved researching the details of the 1869 transcontinental railroad and incorporating them into the story. I’m a stickler for accuracy, and I’m so grateful for readers who have mentioned learning so much about this era in America.

IAN. How long did it take to write the book?
MM. I wrote Double Crossing during the hot summer months before undergoing foot surgery in September. After I finished a rough draft, I set it aside to earn my M.A. I’d come close to publishing a historical romance about ten years before, but knew I was missing that elusive “something.” Seton Hill University’s program was intense and yet incredibly helpful; I devoted myself to reviewing crafts books I’d read in the past, like Dwight Swain and Robert McKee, reading whole series of books to study story and character arcs, receiving and giving critiques with partners, plus interacting one-on-one with published author “mentors” – it forced me to identify both the strengths and the weaknesses in my writing. I wrote a cozy historical mystery as my thesis over two years, and decided to revise Double Crossing as well. When it reached the finals in over three different RWA contests, I knew it was ready for submission.

IAN. What inspired you to write Double Crossing?
MM. The 1969 movie, True Grit, planted the seed. I loved the sweeping cinematography and John Wayne’s portrayal of Rooster Cogburn—who seemed larger than life as a character. The heroine’s determination also impressed me. But hands down, the Charles Portis’ novel was far more of an inspiration. From the authentic dialogue, the heroine’s journey and determination, plus the action/adventure, I loved it all. I decided to adapt the premise (the theme of revenge) for Double Crossing, but added my own “spin” with the transcontinental railroad and an older, yet more naïve, heroine.

IAN. Talk about the writing process.
MM. My best time is early morning. I’ve adapted to writing any time of the day or night, however, depending on the deadline—but I’m freshest in the morning. I call my method “the ocean wave” because I start writing, go back, write further, go back a bit more, then resume—over and over. Sometimes I’ll go back to the very beginning and revise. By the time I’ve finished a “first draft,” it’s more like a second or third draft. I still revise at least twice more to polish it into submission readiness.

IAN. Did you use an outline or do you just wing the first draft?
MM. I normally start the first few chapters (set-up) and that gets me ready to plan out the story arc as a whole. I also do extensive character sketches before I resume. I’ll redo the outline if necessary, and develop it I get stuck. But I did “pants” my novella, The Key to Love. That was the first time I’d ever written out of sequence! It worked, but I had much more revision in the end. So I’d rather plot as much as possible.

IAN. How is your book different from others in your genre?
MM. Because Double Crossing doesn’t fit in one genre, that makes it unique. I call it a “blended genre” book, basically a historical western suspense (if you can call that basic) with elements of mystery, adventure, romance and an inspirational tone as well. So it has something for everyone!

IAN. Is Double Crossing published in print, e-book or both?
MM. Both,

IAN. What do you hope your readers come away with after reading Double Crossing?
MM. With the same stirrings of adventure, heartfelt enjoyment and a niggle of “what’s next for these characters” that I felt after watching the movie and reading True Grit. Portis’ novel ends with more finality, but Double Crossing promises further adventures in a sequel.

IAN. Where can we go to buy your book?
MM. Double Crossing is available at Amazon.com, Barnes&Noble.com and AstraeaPress.com.

IAN. Tell us about your next book or a work in progress. Is it a sequel or a stand alone?
MM. Double or Nothing is the conclusion of the “Double Series” I’d planned.

IAN. Any other links or info you'd like to share?
MM. Check out my IAN page!


Double Crossing by Meg Mims
264 Pages
Historical Western Suspense
Astraea Press


Chapter One
Evanston, Illinois: 1869


I burst into the house. Keeping the flimsy telegram envelope, I dumped half a dozen packages into the maid’s waiting arms. “Where’s Father? I need to speak to him.”
“He’s in the library, Miss Lily. With Mr. Todaro.”
Oh, bother. I didn’t have time to deal with Emil Todaro, my father’s lawyer. He was the last person I wanted to see—but that couldn’t be helped. Thanking Etta, I raced down the hall. Father turned from his roll-top desk, spectacles perched on his thin nose and hands full of rustling papers. Todaro rose from an armchair with a courteous bow. His silver waistcoat buttons strained over his belly and his balding head shone in the sunlight. I forced myself to nod in his direction and then planted a quick kiss on Father’s leathery cheek. The familiar scents of pipe tobacco and bay rum soothed my nervous energy.
“I didn’t expect you back so early, Lily. What is it?”
With an uneasy glance at Todaro, I slipped him the envelope. “The telegraph messenger boy caught me on my way home.” My voice dropped. “It’s from Uncle Harrison.”
Father poked up his wire rims while he pored over the brief message. His shoulders slumped. “I’ll speak plainly, Lily, because Mr. Todaro and I were discussing this earlier. My brother sent word that George Hearst intends to claim the Early Bird mine in a Sacramento court. Harrison believes his business partner never filed the deed. He needs to prove our ownership.”
“Hearst holds an interest in the Comstock Lode, Colonel.” Todaro had perked up, his long knobby fingers forming a steeple. The lawyer resembled an amphibian, along with his deep croak of a voice. “His lawyers are just as ambitious and ruthless in court.”
Father peered over his spectacles. “Yes, but I have the original deed. I didn’t plan to visit California until next month, so we’ll have to move up our trip.”
“Oh!” I clasped my hands, a thrill racing through me. “I’m dying to visit all the shops out there, especially in San Francisco. When do we leave?”
“We? I meant myself and Mr. Todaro.”
I stared at the lawyer, who didn’t conceal a sly smirk. “You cannot leave me behind, Father. I promised to visit Uncle Harrison, and what if I decide to go to China?”
“Lily, I refuse to discuss the matter. This trip is anything but a lark.”
“It’s a grueling two thousand miles on the railroad, Miss Granville. Conditions out west are far too dangerous for a young lady,” Todaro said. “Even with an escort.”
“The new transcontinental line has been operating all summer. Plenty of women have traveled to California. I’ve read the newspaper reports.”
“I’m afraid the Union and Central Pacific cars are not as luxurious as the reports say. You have no idea. The way stations are abominable, for one thing.”
I flashed a smile at him. “I’m ready for adventure. That’s why I’ve considered joining the missionary team with Mr. Mason.”
Father scowled. “You are not leaving Evanston until I give my approval.”
“You mean until you dissuade me from ‘such a ridiculous notion.’”
“Need I remind you of the fourth commandment, Lily?”
“No, Father. We’ll discuss this later.”
My face flushed hot. Annoyed by being reprimanded in front of Todaro, I ignored the rest of the conversation. I’d always wanted to see the open prairie and perhaps a buffalo herd chased by Indians, the majestic Rocky Mountains and California. California, with its mining camps, lush green meadows and warm sunshine, the cities of Sacramento and San Francisco that had to be as exhilarating as downtown Chicago. I’d pored over the grainy pen-and-ink drawings in the Chicago Times. Uncle Harrison, who’d gone west several years ago to make a fortune and succeeded, for the most part, would welcome me with open arms. I plopped down on an armchair and fingered the ridges of the brass floor lamp beside me. Somehow I needed to persuade Father to allow me to tag along on this trip.

Saturday, March 31, 2012

On Writing About the Dead by C.C. Cole

I watched a favorite old horror film recently, “The Changeling” starring George C. Scott, that to me brought together the unrests of ghosts and one of the best séances I’ve ever seen on television or film.  Obviously, I’m biased about anything starring George C. Scott, a longtime favorite actor.  When I first saw this film with my late sister, a huge horror fan whose favorite film was “Motel Hell,” she climbed behind me, finding the bloodless ghost more horrifying than the splatter-films.

With my typical pondering about anything and everything, what is it about the dead that reaches us fiction writers?  Think of the knee-jerk “dead” characters:  Ghosts.  Vampires.  Zombies.  Skeletons.  Mummies.  That’s just getting started, as one could move on to more sophisticated “dead” like spirits, banshees, or wraiths.  Moving away from dead creatures, think about places used:  Cemeteries.   Churches.  Graves.  Empty homes.  Basements.  Dark woods.  

The dead is full of clichés as well:  They return to get even.  They return to settle a score so they can be at rest.  They return to warn the living.  They return to see whom they love.  They return to eat people or drink their blood.  Amongst these clichés is usually someone in the land of the living, who must figure out who this “un-dead” person(s) is, and communicate and/or destroy it.

Why are we writers writing about the dead?  I believe that what happens after death remains a great fascination for many readers and writers and is so full of variations it makes for a useful tool in the creation of a story.  Clichés are not red flags as a negative, sometimes they add enough to bring interest to the reader, and it’s up to the writer to deviate away enough to keep the story unique.  Also, many of us grew up hearing scary ghost stories, and many readers like a good thrill; hence, the horror genre, and I’ll speak (write)  for myself on this one:  There are some great new talents out there that made me drop my kindle.

New authors, if writing about the “dead” or “un-dead” is your thing, go for it.  It’s tried, done, and not going away.  Whatever variation you can give to an old idea will be what you can show the reader by using your talent.  And don’t forget to tweet to us about it. 

By C.C. Cole. 
Originally  posted at 
http://www.shevata-cccole.blogspot.ca


THE GASTAR NOVELLAS


Follow teen assassin Shevata's journey through the history of the city of Gastar for redemption of her past actions and to re-gain her soul.



Sunday, March 25, 2012

Frederick Brooke author of Doing Max Vinyl


Frederick Brooke

I was an early reader and decided to become a writer before hitting high school. An affinity for learning languages led to my spending a year in Germany during college, then a year in France a few years later, as a teaching assistant in a lycée. Teaching agreed with me. There followed a 20-year career in the language school business, first as a teacher, then as school manager and salesman of language training. A few years ago I started writing again and in early 2011 finished my first novel, Doing Max Vinyl. I enjoyed writing it so much that I quit my job at the language school in order to devote all my time to writing my second book, a sequel to Doing Max Vinyl. Nowadays you'll find me writing and revising day and night, when I'm not saying hello on Twitter. Follow me on Twitter for the latest news.

Doing Max Vinyl 


Mystery/detective


Max Vinyl is a recycling king in Chicago. When his environmentalist girlfriend catches him dumping old computer junk in Lake Michigan, Max gets a taste of her violent side. Even his ex-wife can't save him this time. Meanwhile two of Max Vinyl's brawny enforcers have provoked Annie Ogden, just back from four years in Iraq-bad idea! Doing Max Vinyl-guaranteed to make you laugh till you cry. 


Buy at Amazon

Saturday, March 24, 2012

Abigail Brand is the 6 year old author/illustrator of the Hello Little Series


Abigail Brand is the 6 year old author/illustrator of the Hello Little Series. All her books are self-published, hand-written, and hand-illustrated, 14-page children's book. Abigail Brand donates half the money from her "Hello Little" books to Neonatal Intensive Care Units. 

   





Hello Little Cloud 


Children's Book 


Hand-written, Hand-illustrated, 14-page children's book. Hello Little Cloud contains facts about clouds with a little imagination and lots of colorful illustrations. 



Hello Little Flower 


Children's Book 


Hand-written, Hand-illustrated, 14-page children's book. Hello Little Flower is an expressive and educational poem about flowers. 



Buy Hello Little books

Saturday, March 17, 2012

Books Without Borders An event June 9th on the Yonkers Waterfront


Authors, Booksellers, Agents, Publishers, Distributors and Book Designers will be participating!

This event, organized by The City of Yonkers, The Yonkers BID, The Yonkers Library System, The Westchester Guardian and Yonkers Tribune Newspapers, WGRN Radio and Dennis Sheehan, is to give authors and Booksellers an opportunity to promote themselves and their work, as well as sell their books, to the community and each other.

The Event will encompass the entire Yonkers Waterfront beginning at the new State of the Art Riverfront Library continuing several blocks past the Yonkers Metro North Train Station through Ella Fitzgerald Park and culminating at the picturesque Pier and Amphitheater on the Hudson River.

Workshops, Seminars and Panel discussions will be held throughout the day. Notable Literary Agents will hold workshops such as “How to write a successful query and aquire an agent.”, “A Step by Step Guide to getting Published” and others.

The famous writer and publisher Charles Salzberg of Greenpoint Press will be giving a seminar on various aspects of writing and will be bringing some guest Authors.

Barnes and Nobel will be giving a seminar on e readers and eBooks and participating in a panel discussion “eBooks vs Print books, where is the future?”

There will be many other topics and celebrity speakers. Ten Featured Authors will be signing books and meeting fans at local restaurants around the waterfront area at scheduled times.

To add to the festive atmosphere, face painters and clowns will be in the Children’s Book area and music will be provided by several bands around the event area.

Authors and Booksellers who are interested in participating should contact Dennis Sheehan purchasedpowerbysheehan@gmail to get registered. There are no event fees but anyone selling books is required to have a permit and pay a $20. Permit fee, checks payable to the Yonkers BID. The permit application and filing instructions will be supplied in the registration package. The cutoff date for registration will be April 30th.

Local businesses and Restaurants are supplying discount coupons to all participants. Free parking will be provided to authors, booksellers, agents and publishers. Tables and fixtures to sell books must be provided by the individual vendors.

The last two events drew over 25,000 people.  

BOOKS without BORDERS
9th June, 2012
Yonkers Waterfront.  

Contact Dennis Sheehan purchasedpowerbysheehan@gmail.com


Saturday, March 10, 2012

Heather Grace Stewart: The IAN Interview












Heather Grace Stewart’s poems have been published in Canadian literary journals, newspapers and magazines, international school textbooks, online journals, international print anthologies, and in the British small presses.  Her third poetry collection, Carry On Dancing, was released by Winter Goose Publishing this March. It’s available at Amazon.com, Bn.com and Nook Books. Her collections of poetry and photos, Leap (Graceful Publications, 2010) and Where the Butterflies Go (Graceful Publications, 2008) have risen to ‘What’s Hot’ in poetry in iBooks USA and Canada, and available at Amazon.com and on several e-readers including Nook Books, Kobo, Kindle and Sony Reader. Her photographs have appeared in Equinox and National Geographic Traveler among others, and on the cover of over a dozen poetry books.

Born in Ottawa, Canada, she lives with her husband and daughter near Montreal. In her free time, she loves to take photos, scrapbook, cartoon, inline skate, dance like nobody’s watching, and eat Swedish Berries — usually not all at the same time.

IAN. Please tell us about your latest book.
HGS. From Winter Goose Publishing: “Feel the tears and the laughter in this inspiring new collection of poetry by Heather Grace Stewart. Carry On Dancing will take you on a journey through personal and global tragedies, and the new technologies that can bring us together or tear us apart. Let the author of Where the Butterflies Go and Leap give you a hopeful look into love and loss, and keep you striving for what is truly important in life.”

“Brave, personal and eloquent poems from Heather Grace Stewart, who can save a child from drowning in one poem and write words of support for children being bullied in the next; for whom the world is a hotchpotch of crazy politics and loving families; whose poems can be cannonballs, wisecracks, narratives, or haiku; and whose photographs complement the poems with the same characteristics of simplicity, surprise and freshness. Carry On Dancing picks up from where Leap began.” - Sally King, Poet and Editor, Poetry Scotland

IAN. How long did it take to write Carry On Dancing?
HGS. I wrote this collection over eight solid months of writing, from late 2010 -spring 2011.  Good poems don’t come to me quickly. I can’t imagine writing a collection in less than a half-year. I also like to reflect the seasons of my life in my poetry.

IAN. What inspired you to write the poems found in Carry On Dancing?
HGS. My whole world inspires me. My family, my young daughter, my friends, and my environment.  I write about everything from wanting to sleep in a little longer with your lover, to the pain of losing a loved one, to the trials of cyber-bullying and trying to live up to everything society expects of us as women,  to the simplicity of enjoying a new blossom in the garden.

IAN. Talk about the writing process.
HGS. I usually write in the early morning, once my daughter’s on the school bus. I try to spend at least a few hours a day working on my poems, and then I have to get to my freelance writing work, and the laundry. There’s never an end to the laundry! But I am usually working on poems in my mind when I’m doing other tasks.

IAN. Did you use an outline or do you just wing the first draft?
HGS. My poetry isn’t outlined at all - it just comes to me. First drafts are usually yellow stickies by the phone!

IAN. How is your work different from other poets?
HGS. My poetry has been reviewed as accessible, and using deceptively simplistic language. I don’t want people scratching their heads over what I mean. The last thing I want a reader to feel at the end of my poem is frustration over the reading process. I want them to walk away with new hope and new ideas, not racking their brains over what I was getting at. Also, I like to include photographs with a few of my poems. They’re not meant to overtake the poem but instead compliment it, and reviewers have written that I do this well.

IAN. Is your book published in print, e-book or both?
HGS. It’s available on Amazon and Barnes and Noble (bn.com) in print and on the Kindle and the Nook. I’ll also be happy to ship autographed copies ~ readers can contact me at writer@hgrace.com to arrange that.

IAN. What do you hope your readers come away with after reading your poetry?
HGS. I’ve tried to make my poetry collection a journey. At the end of that journey, I’d like the readers to feel a sense of hope about their personal world and the world around them. I’d like them to feel a little lighter. A little more rested. Energized to take on the rest of their day.

IAN. Any other links or info you'd like to share?
HGS. My author page on Amazon.com  

@hgracestewart


Carry On Dancing by Heather Grace Stewart
130 pages
Winter Goose Publishing


Excerpt from book:

The Present

It wasn’t intentional.
This day of quiet gratitude
just happened.

Power goes out,
comes back on,
lights flicker;
we breathe a sigh of relief
as the future returns full force;
we carry on with our busy days.

Today, I lived inside the flickering lights;
stopped and stood firmly in the now.
I didn’t wake up, put on my Sunday best, and
promptly go to church. No. In fact,
I slept in; woke up wondering what day it was.
But by tonight, I had a whole day’s grace
to think about, lying awake,
looking out the window at the stars
between me and all my loves;

the ones I miss and don’t tell enough,
the ones I haven’t spoken to since
last year’s Christmas card,
the ones I share this home with
and yell at for silly reasons: Hurry, hurry!
The bus will be here in one minute!
You could have called. Supper’s ruined.

Oh, so many days, I do it wrong,
but today, I did it right.

When she came to me
asking how to wrap a present,
I almost said, It’s November 12!
and kept typing my Tweet, but
a wisp of her hair
fell across her face
and I had to sweep it;
tucking it behind her ear,
just so.

In that second, I remembered
how Dad and Mum taught me.
We used a whole roll of tape,
heard Nana Mouskouri
sing Old Toy Trains
half a dozen times;
I loved those lessons.

I closed the laptop and
sat by the fire with her;
her small fingers creasing
the corners, struggling to
get it right; my hands over hers,
gently guiding, teaching;
We laughed with abandon
as we ripped it open
together, many times.

When the shower water
came pouring down
I lifted my face;
felt every drop:
sweet summer rain.
I wasn’t making lists or
fuming over past conversations.
The flickering lights were
striking, beautiful;
they made me want to stay inside.

When he called me
to see his handy work
there was no Just a minute!
I ran up the stairs, saw his surprise,
kissed him hard. I didn’t even see
the sawdust, the boxes still
to be sorted. I was lost
in the warmth of his lips;
in the warmth of our living.

I know you did this.

At your funeral,
the minister kept calling you
by your brother’s name.
Those up front corrected him;
annoyed whispers,
awkward silence,
summer heat rising
in the room.

You didn’t like your brother much.

Dad and I laughed
all the way home.
We knew you’d sent us a wink.
We knew now: you were fine.

They cut the tumor and
failed, but they didn’t
cut your soul.
How you wish we’d live.
How you lived, nearly every day,
until the cancer crept back,
and you simply couldn’t see
your dreams any more.
You sent me this present.

I’ll rip it open, every day.
On the days I forget—
make the lights flicker.
I won’t sleep in
anymore.


Carry On Dancing
COPYRIGHT © 2012 by Heather Grace Stewart
Excerpt appears courtesy of Winter Goose Publishing


Friday, March 9, 2012

Nancy A Kaiser: The IAN Interview










I was born with an innate love of animals, especially horses. I grew up riding, training, and showing horses in New Jersey. I graduated from Rutgers College of Pharmacy and practiced for several years before marrying my horse vet and leaving pharmacy to manage our equine hospital and breeding farm for 27 years. My abilities in telepathic animal communication and healing emerged while working with one of my husband’s patients. I live in the healing Blue Ridge Mountains of North Carolina surrounded by my family of two Labs and a horse.

I operate “Just Ask” Communications, a practice devoted to healing the human-animal bond through enhanced communication and understanding. I’m an ordained minister in the Universal Brotherhood Movement and work as a spiritual liaison for animals and their human companions. I am committed to bridging the chasm that has developed between species while increasing respect for all our relations. I’m an award-winning author of two books, Letting Go: An Ordinary Woman’s Extraordinary Journey of Healing & Transformation and Tales of an Animal Communicator ~ Master Teachers.

IAN. Please tell us about your latest book.
NK. Tales of an Animal Communicator ~ Master Teachers chronicles the tales of the remarkable animals that taught me that I was destined to be an animal communicator and healer. These amazing stories begin after my marriage in 1977. Tales opens with the story of the Quarter Horse filly foal, Because Of Love, who was born with curvature of the spine. Eventually, Love taught me that I was meant to be an animal communicator and changed my life forever.
After committing to my new path, astonishing animals and events began entering my life. The remainder of the book shares the lives and lessons of my personal animals that helped hone my skills in telepathic communication and spiritual healing. From my life on Fair Chance Farm, through my move to the mountains of North Carolina, and subsequent divorce, the lessons and unconditional love of these extraordinary animals will simply astound you. I guarantee you will never look at your own animals the same way again!
I’ve also created a companion CD or MP3 download to Tales of an Animal Communicator ~ Master Teachers that is available for purchase on my Website. Gifts From the Universe contains two releasing exercises that form the final chapter of the book and are designed as guided meditations to aid with the tumultuous energies of CHANGE that we’re all experiencing at this time on our planet.
A portion of the proceeds from the sales of Tales will be donated to my local Humane Society, Noah’s Wish, and The Wild Horse Sanctuary in Shingletown, California.

IAN. How long did it take to write the book?
NK. It took me seven months to write Tales and another two months for editing, proofing, and design work. My gifted designer, Janet Aiossa, and I worked on the cover early in the writing, so the cover work was completed long before the manuscript. I had saved an inside cover of a National Geographic back in the early 90s that really “spoke” to me. I had no idea why I was saving it until I began to write Tales. Janet did a wonderful illustration based on that image. We personalized the cover by using my hand; my dog, Saba’s paw; my cat, Crystal’s paw; and my horse, Stormy’s leg. I included a red-tailed hawk’s wing, because I get messages from them all the time; a white-tailed deer leg that I also communicate with; and a Hawaiian Spinner dolphin’s flipper that I’ve encountered in the waters off Oahu and Maui.

IAN. What inspired you to write the book?
NK. I always envisioned that one day I would write about the amazing animals I was helping and learning from. This I was sure of even long before I knew I could write. Life on my farm was jam-packed each and every day with unending chores and responsibilities. After meeting Love, which opened my mind and broadened my perspective on things that happen beyond our five senses, I was inundated with astonishing events and animals. I knew their stories had to be shared one day, because their lessons weren’t just meant for me. Their lessons hold great benefit to all. They teach valuable lessons that we’ve long forgotten in our hurry-up society. Simple, yet treasured lessons – how to live in the moment, how to love unconditionally, about transition and reincarnation, etc. – lessons we need to master.

IAN. Talk about the writing process.
N.K. I’ve always been a morning person, which is a perfect trait for a farm owner and manager. When I’m working on a book I usually write every day. Before I begin, I check my emails to be sure I don’t have any communication and/or healing work that needs my attention. Since an animal communicator is usually the last person consulted for an animal’s issues, I try to handle requests for help as quickly as possible. My communication and healing work takes priority over my writing. I didn’t learn this lesson in NJ, which is why I ended up writing my first book, Letting Go: An Ordinary Woman’s Extraordinary Journey of Healing & Transformation. I may be a slow student, but I don’t forget my lessons once I’ve embraced them. I would never write at night or do anything else for that matter unless it was an emergency. I want to be at my best for my writing and my communicating and healing work.
After I’ve written a chapter, I print it. For whatever reason, I just cannot edit on the computer screen. I have to see the written page. Once I’ve made my corrections, I make the changes in the computer and print it again to review. I use a lot of ink and paper, but it’s just my method.

IAN. Did you use an outline or do you just wing the first draft?
N.K. For Tales, I did create an outline of the animals based chronologically. Since I was writing about my life experiences, it was easier for me to align their tales chronologically. Once I had everyone listed with birth and death dates, I just let my heart flow the words and memories onto the computer screen. Whereas Tales was intended to be a book from the start, my first book, Letting Go, was based on a personal journal. Because of that, it required a huge amount of editing. Tales was finished much quicker because it required much less editing. Also, I like to think it was because I’ve become a better writer thanks to all the articles and columns I’ve written over the past three years since Letting Go was published.

IAN. How is your book different from others in your genre?
N.K. Tales is different from others in this genre since it not only shares my telepathic communication experiences, but it also shares the experiences and lessons related to the different healing modalities I work with, which include Spiritual Response Therapy, Vibrational Remedies, Color Therapy, Channeling Insights & Guidance, and Shamanic Healing.

IAN. Is your book published in print, e-book or both?
N.K. Tales, as well as Letting Go, is available in print and as an e-book.

IAN. What do you hope your readers come away with after reading your book?
N.K. If you’re an animal-lover or know one, Tales will really show you what part animals are waiting to play in your life. During a consultation session years ago, I was “told” that companion animals came into existence to answer our souls cries for help, because life on Earth is so difficult. The animals in people’s lives have come to them for a reason. Tales will help people recognize the deeper purpose of the animals in their lives. It’s my hope that reading Tales and learning the lessons of the animals that are featured in it will broaden the reader’s perspective on the significance of their animals in their life while helping them develop more meaningful relationships with not only their animals, but all animals.

Letting Go was created for people that have suffered a sudden and unexpected loss or are struggling with negative emotions that are adversely influencing their lives. Until they learn the lessons their pain has come to teach them, they won’t be able to let it go. Letting Go can help readers recognize the lessons their soul is trying to show them, so they can embrace the lessons, release the pain, and move forward and find happiness again. My purpose in publishing Letting Go was to help people learn from their traumatic life challenges more quickly & easily. Once their lessons are learned, they can move forward with grace. Letting Go earned the High Country Writers 2009 Memoir Book of the Year Award.

IAN. Where can we go to buy your book?
N.K. Personalized print copies of both Tales and Letting Go are available on my Website, www.NancyKaiserAnimalCommunicator.com as is the CD or M3P download of Gifts From the Universe. Print copies are also available from most online booksellers. However, purchasing from my Website allows me to donate the most from the sales of Tales to the various animal charities that it will benefit.




IAN. Tell us about your next book or a work in progress. Is it a sequel or a stand alone?
N.K. My next book will be a sequel to Tales titled Tales of an Animal Communicator – Being A Clear Voice. It will share the lessons I’ve learned through almost 20 years of communicating and facilitating healing work for my many clients’ wonderful animals. Without their trust in my skills, I wouldn’t have been able to learn and grow into the woman that I am today. I am forever indebted to these generous animals and their people for allowing me to help them forge deeper and more meaningful relationships.

IAN. Who do you consider your greatest master teacher?
N.K. To pick one out of all the amazing animals that have shared their lives with me is incredibly difficult. I simply can’t. I have two that have touched my life in profound ways. The first is the Quarter Horse filly foal, Because Of Love, who showed me what my life’s purpose was. Love’s story begins Tales because without her I may never have discovered my true path as an animal communicator and healer. Although she only lived for four short months, Love changed my life forever. I will never be able to thank her enough. Love’s soul has actually been waiting since 1993 for her story to be told.

The second is my dear mare, Squiggles, who was born in 1985. Squiggles stayed with me for 17 years and not only taught me more than most, but she also gave me three colts, who became master teachers for me as well. Prior to my uncovering my communication skills, Squiggles almost died three separate times. Each time, I learned significant lessons about her will to live and strong determination. Squiggles’ and her colts’ lives are chronicled throughout Tales. I have a beautiful painting of her and her second colt, Randy, that hangs next to my bed. I look in those eyes every day and feel grateful that they chose me to be their person.

IAN. Do you have suggestions for newbie writers?
N.K. Write for the “right” reasons for you. Write from your heart. Publish to contribute something of value to others not just to earn money. Surround yourself with professionals that respect your opinion regardless of your inexperience. Be open to constructive criticism and be willing to explore new possibilities and options. Remain true to your purpose and know that your heart knows best. Even if you never publish, the act of writing alone may be all you need. Writing healed me; publishing didn’t. But, know that the first time you hold your own book is magical and enormously satisfying. Each time you hear how your words have helped another, your heart warms and you smile. Those are the moments you’ll remember long after any money you’ve earned is spent.


Tales of an Animal Communicator ~ Master Teachers by Nancy A. Kaiser
317 pages
Memoir, Animal Communication, Pets, New Age
Aronya Publishing


I arrived at Gregory’s house for my session just as I had for many previous ones. For the first time, a collective of my Guides and Teachers channeled through Gregory. Their message was blunt and to the point, followed by an apology for being so direct – but they felt it was the only way to be sure I understood the message I’d been missing. I was told in no uncertain terms that if I continued to jump, I would have a tragic fall that would break my back and restrict me to a wheelchair for the rest of my life! Kind of like a patient who’s just heard they have cancer, I didn’t hear much after that. Luckily, Gregory records his sessions. Of course, it was my choice what I did with the information. They couldn’t interfere with my free will, but they hoped I’d make the wisest choice.
My head was spinning as I headed home. I’d never expected anything this serious. I had a choice, but really what choice did I have? To be wheelchair bound would be a fool’s choice. I’d just been told I could never again do the one thing that had always brought me such joy. I felt like I’d been hit in the stomach with a bat. I cried and cried and cried for days. Jumping horses had been my passion for 50-plus years – the one constant in my life.
I only shared my devastating message with a few close friends, including Collette. I could hardly get the words out before I would start crying. The next time I saw Stormy, I hugged him and cried, telling him I didn’t want him to ever feel like he’d hurt me. I’d been told that I could probably jump a couple more times without incident. The thought of never experiencing that feeling of freedom and power again was agonizing. I had to take the chance to jump one last time. I needed to. I hoped by doing so I’d be able to accept my sentence of “life without jumping.” I had no doubts about the veracity of the message or the method by which it came to me. I knew others probably did, but that was their issue.
Stormy hadn’t been worked in more than a month due to my back pain and vacation. I worked him until the last chance I had to jump before the barn closed. Collette and I felt he’d be fine jumping through a gymnastic (series of three jumps sequentially rising in height). Stormy’s trouble had only occurred at single fences. I wondered if I’d be tense, given the information I had received. I wasn’t because I believed that I’d be protected so that I could say good-bye to joy without incident, so that I could create a final lasting memory.
Stormy was great for not having jumped in so long. We jumped through the gymnastic several times. Collette raised the last oxer (spread fence) each time. I tried to burn the memory into my being – that fantastic feeling of Stormy over the big oxer – to hold onto for the rest of time. He is the absolute best horse I’ve ever jumped, and there’ve been many.
I could’ve jumped forever, but knowing Storm wasn’t fit enough I stopped. As soon as I did, I lost it! The tears streamed down my face, as they are right now. Stormy and I walked around the upper half of the ring with Collette by our side, her hand on my leg telling me it would be all right. But, it wouldn’t! My life’s passion had just died and took joy along with it. The loss of my ability to jump was more heartbreaking than the loss of my husband to unexpected divorce six years earlier. I’d been married for half my life, but I’d been jumping for my entire life, and jumping had never disappointed me.
I fought away the tears as I headed back to the barn. I didn’t want to upset Stormy any more than I already had. I didn’t want anyone else to know what I’d just said good-bye to either. I was reeling from the roller coaster of emotions, plus it was private and personal. I had surrendered to the message from my soul, my Guides and Teachers, the Universe, but I was a long way from accepting it – a very long way.
I am grateful for my intuition that let me know something was amiss. I am grateful for the message, which allowed me to make an informed decision before it was too late. I knew many weren’t so fortunate (including a friend and fellow jumper rider, who dove into a lake and spent the rest of his life training students and their horses from his wheelchair). I felt lucky and grateful one minute, and then devastated, angry, and extremely sad the next. Surrendering is way different than accepting. Without both, you won’t truly heal.