

Reviews, interviews, author articles, and guest posts of indie and self-published fiction, non-fiction and memoirs.




Franki deMerle is the author of Deception Past and Ripples on the Surface. Her name is on the Wall of Tolerance at the Southern Poverty Law Center,
IAN. Please tell us about your latest book.
Fd. This is the story of two sisters and the man one of them falls in love with. Daphne ignores the dream she has on her wedding night, right before her honeymoon on the Scottish Isle of Arran, and finds herself trapped in an abusive marriage. She dreams that there is a man somewhere who will truly love her and treat her with respect, but she doesn’t know how to find him. Thanks to the sacrifice made by a stray cat, she finally finds the courage to escape her abusive husband.
Deandra, her sister and an army officer, sends a friend to rescue Daphne. He is a retired officer, and he turns out to be the man of Daphne’s dreams. When she meets him, the Major is preoccupied with his recent retirement. He and Daphne fall in love, and then she and Deandra discover their hidden pasts. Together, while living in the
IAN. How long did it take to write the Dragonfly Dreams?
Fd. 10-11 months
IAN. What inspired you to write the book?
Fd. My own retirement from working as a civilian for the US Army.
IAN. Talk about the writing process. Do you write at night or in the morning?
Fd. I prefer to write at night, although that’s not always the case. I write when I’m inspired, have something to say, and realize something about a character or scene.
IAN. Did you use an outline or do you just wing the first draft?
Fd. I outline in my head. I spend a lot of time thinking about a character and/or scene before I write. I rarely write the book in order. I like to put some scenes aside and do them last—usually violence.
IAN. How is your book different from others in your genre?
Fd. The characters, though fictional, are inspired by combinations of people I’ve known and matched with real characters from the past, with one exception. The Major was inspired by my teddy bear in uniform who shared my office when I worked for the Army. He started out as a private; my sister named him Major Ursa, and then, for his remarkable ability to keep his mouth shut, he was promoted up to Colonel by the time I retired. The dreams the characters have in the book actually come from my own vivid dreams.
IAN. Is your book published in print, e-book or both?
Fd. Both
IAN. What do you hope your readers come away with after reading your book?
Fd. I hope they get a few laughs, some personal insights, and some deeper thoughts about the bigger picture of humanity. I hope those that live in
IAN. Where can we go to buy your book?
Fd. Online or if your local bookstore doesn’t have it in stock, it can be ordered. It’s on Amazon, Barnes and Noble, Borders, Powell’s, www.reincarnationbooks.com, and, of course, the Independent Author Network, http://j.mp/elTVij Please support independent bookstores too!
IAN. Tell us about your next book or a work in progress. Is it a sequel or a stand alone?
Fd. I don’t do sequels. I’m in the middle of the story of five women who reincarnate in three different historical situations. The historical situations are ones that have been told many times through the eyes of certain men. My intent is to show how the characters develop through their personal choices in different directions.
IAN. Any other links or info you'd like to share?
A. http://www.youtube.com/watch?v=S8HaN5MNLUA I also have a blog at
http://deceptionpast.wordpress.com
Dragonfly Dreams by Franki deMerle
Page count: 213
Genre: Novel
iUniverse
Excerpt from book:
Daphne was sound asleep when a man arrived in her dream with a warm, orange glow about him, like a fireball of warmth and energy; he was smiling the warmest smile she had ever encountered. To say she was attracted to this dark-haired, olive-skinned creature, like a moth to a flame, didn’t begin to describe it. He was somehow intimately familiar to her. Before she knew what was happening, she was flying along at his side, too fast for feet to keep up, much less touch the ground, and with no effort.
They were flying fast above houses and trees, and as they left the planet further and further beneath and behind them, it seemed they were flying on the wings of pure harmonious sound. It seemed it was the vibration that was propelling them. Daphne felt like her body had turned into pure harmonic vibration, and together they flew on the same wavelength until they were soaring among the stars beyond the solar system.
Daphne found herself dreaming of this angel and flying with him almost every night. Sometimes he appeared to her in a silvery light with bright white hair, but most of the time he was dark surrounded by light.
Please visit Franki deMerle at IAN
Print and Kindle at Amazon.com
Print and NOOK at Barnes&Noble


Sharon Cupp Pennington’s short stories have appeared in numerous online and print venues, with anthology contributions to The Rocking Chair Reader in the Coming Home edition (2004) and Family Gatherings (2005), A Cup of Comfort for Weddings: Something Old, Something New (2007), and Good Old Days Magazine (March, 2007). Her debut novel, Hoodoo Money, was released in May 2008 and the sequel, Mangroves and Monsters, in November 2009. She resides in
But I was a published author at age 54 - and I was flying!
Now my short stories have appeared in numerous online and print venues, with anthology contributions to The Rocking Chair Reader in the Coming Home edition (2004) and Family Gatherings (2005), A Cup of Comfort for Weddings: Something Old, Something New (2007), and Good Old Days Magazine (March, 2007). Finally, after years of rewrites and the unwavering patience of my "do or die" critique group (Writing Well),Hoodoo Money was released by Draumr Publishing in May 2008. It's the kind of romantic suspense novel I love to read, set in contemporary


Michael Robb Mathias has made a name writing epic fantasy novels under the pen name M.R. Mathias. His Amazon, and Barnes & Noble Bestselling e-books:
The Sword and the Dragon, Kings,
Michael's newest release, The Butcher’s Boy, is not a fantasy. It is a terrifying Haunted House/Murder-Mystery/Chiller.
In order to maintain a distance from the YA fans of his popular Dragoneers Saga, this frightening tale has been released under the pen name:
IAN. How long did it take to write The Butcher’s Boy?
MR. An odd question. Years? More like 5 weeks in long hand. The NaNoWriMo rewrite and edit went fast. About 60 days, with the editing help of Derek Prior doing the chapters as I finished rewriting them.
IAN. What inspired you to write the book?
MR. After reading until I had read every book in the cell house I decided that I could write a book. I just started writing to keep from going crazy. During that incarceration at James V. Allred prison, I spent 9 months straight in a solitary cell for fighting. Later I would spend 2 calendar years in solitary at Michael’s Unit in Tennessee Colony, Tx. That’s where I wrote the 700k word epic Wardstone Trilogy and a lot of the short stories I have published under the pen name M. R. Mathias.
IAN. Talk about the writing process. Do you write at night or in the morning?
MR. At the time I wrote ‘Butcher’s Boy’ my process was to try and read 300 pages and write ten pages a day, every day. Like I said, I was in a high security solitary cell and had nothing better to do. Now I get in different grooves, sometimes writing after my morning run with my tweeting dog @MrStubbsSays, but mostly at night when it’s just me and the radio.
IAN. Did you use an outline or do you just wing the first draft?
MR. I wrote the first draft while doing time. It was a 125 page tale called Buxly House. I dug it out last year for NaNoWriMo and turned it into Butcher’s Boy. So I suppose that first draft was an outline of sorts.
IAN. How is your book different from others in your genre?
MR. It is actually gut wrenchingly scary without being overly gross. But more than that, it’s such a “twisty” and disturbing tale that it just can’t be explained without spoiling some part of the book. Even the synopsis on the book page is inadequate. Read the reviews especially the 3 star review on Goodreads.com
I like that all the reviewers say “I figured out who the killer was, but...” The main reason the book gets so scary is because of time you get to spend inside the point of view of the killer. I had to divulge him. It was intentional. You also get to spend time in the POV of the ghost, and Lucy-Fur, the Rottweiler. The dog and the ghost have an epic battle of wills too.
IAN. Is your book published in print, e-book or both?
MR. Both
IAN. What do you hope your readers come away with after reading your book?
MR. I hope the reader is entertained, thrilled, terrified. Fiction is virtual reality escapism in its purest form, projected on its best most complex screen. No HDTV or movie theater screen can compare to the mind’s eye.
IAN. Where can we go to buy your book?
MR. Everywhere that eBooks are sold online. Amazon and B&N have the nice 6”x9” paperbacks. A few book stores in
IAN. Tell us about your next book or a work in progress. Is it a sequel or a stand alone?
MR. Michael Robb is currently M.R. Mathias and working on the next Dragoneer novel.
IAN. Any other links or info you'd like to share?
MR. My three websites:
M.R. Mathias/Wardstone Homepage: http://www.mrmathias.com/
M.R. Mathias/Dragoneers Homepage: http://www.mrmathias.com/Dragoneers.html
Michael Robb/Butcher’s Boy Homepage: http://www.mrmathias.com/MichaelRobb.html
@Michael_Robb on twitter
The Butcher’s Boy by Michael Robb
360 pages
Genre: Paranormal Horror
Publisher: Michael Robb Mathias Jr.
Excerpt from book:
From Chapter 8
*** * ***
Janet stood in the front yard and turned a slow circle, first searching down the road toward the neighborhood beyond the intersection, then out into the field across the street. She needed to know that Michael was safe and was trying hard not to panic.
Am I going crazy? She asked herself. She hoped she was just stressed out and over reacting. The thought didn’t lessen her anxiety, and she ended up jogging toward the row of pine trees that separated her property from the newer houses. All that newspaper crap had her paranoid, but as she got to the end of the block, she decided it wasn’t paranoia she was feeling. It was fear. She was flat out scared. The cold lingered on the skin of her neck like a film, and she had a lump of worry like a snow ball sitting in her gut.
Remembering the train tracks and the woods beyond the neighbor’s house, she started back that way. Damn it! Where are you Michael? She was decidedly confused because she knew that Michael was responsible enough to tell someone before going too far. He always had before.
*** * ***
Oliver stopped and took a moment to think about where he would have gone if he was eleven years old. In less than a minute he knew. He approached the hole in the fence behind the garage. The patch job was nothing more than a tacked on board, and there it was lying to the side with a hammer and a coffee can full of nails. Michael could have pulled the piece of wood off with his hands. The hammer, Oliver figured, was to put the board back in place when he returned.
Although he was skinny from a dozen years of severe drug abuse, Oliver was still man-sized and couldn’t just squeeze through the hole. Instead, he used the top of the post that met the garage and pulled his body up so that he could throw a leg over. He nearly tore out the crotch of his jeans, and he was glad that no one was there to witness his awkward crash landing on the other side.
When he stood, his height allowed him to see over most of the rampant tangle that grew under the trees. Only a small portion of the yard had been taken care of, and as he took it in, he saw nothing that caught his eye. On his second scan he glimpsed movement through the window of a vine-covered shed that stood away from the house at the edge of the thicket. It seemed as if the yard were trying to camouflage the old structure, or swallow it up. He was lucky to have spotted it.
Oliver started easing over to the shed, careful not to alert Michael or Lucy to his presence. Pressing himself against the side of the building, he peeked through the glass. There was Michael, headphones on, intently trying to bust the lock on a chest that was standing against the wall. Lucy was sitting beside him, so content on watching what her boy was doing that she wasn’t interested in anything else. A few rusty tools hung from loops of wire that dangled from the rafters, and an ancient snap-jawed bear trap was nailed to the wall. It sounded as if Michael was pounding the lock with something heavy like a hatchet or a ball-peen hammer. Oliver couldn’t tell for certain because Michael’s body was in the way.
Trying not to alert Lucy with his giggling, Oliver poked his head into the partially opened door.
“What the hell are you doing in here?” Oliver yelled at the top of his lungs, then slammed the door shut and held it closed while laughing harder than he had in ages.
Oliver hadn’t really wanted to shut Michael in like this, but he was smart enough to know that Lucy would tear into him as if he were a t-bone steak if she could get to him right now.
“Let me go!” Michael screamed. He was plainly terrified and the pleading quality in his voice melted Oliver’s resolve. Lucy wasn’t barking yet, probably because she had recognized Oliver’s voice. Dogs know. Oliver had startled her so badly though, that she’d bolted into the corner of the shed and was only just now recovering.
“It’s me, Mike,” Oliver said through his laughter.
When he pushed open the door, Michael looked like his heart was about to pound right out of his chest. He found Oliver literally rolling in the grass holding his belly. Lucy poked her head out beside Michael’s leg and snarled halfheartedly, which caused Oliver to laugh all the harder.
“It’s not funny!” Michael huffed.
“You should’ve seen your face, boy,” Oliver’s laugh turned into a cackle. “I bet you shit your pants.”
Michael’s face flushed with rage and embarrassment, but he casually let his hand reach back to check. This caused another fit of hysterical mirth to explode from Oliver. Lucy bounded out and pounced on Oliver then started licking him playfully.
“That wasn’t funny,” Michael said again, his anger fading so much that the hint of a grin found the corner of his mouth. “I should tell Lucy to eat you.”
“She wouldn’t do it,” Oliver replied as he got to his feet and ruffled Michael’s hair. “Your mother is looking for you Mike. She’s really worried. Why were you burglarizing the old lady’s tool shed?”
“I was just exploring,” Michael said. “I wasn’t gonna take anything. I swear it.”
“Hey Mike, I don’t give a rat’s ass what you were doing over here.” Oliver put a hand on Michael’s shoulder and aimed him toward the hole in the fence. “Just don’t get caught messing around or you’ll get in some real trouble. I’m sure of it.”
“You won’t tell my mom?”
“Why would I do that?” Oliver looked down at Michael and shook his head. A few years ago he would have already cleaned the old lady’s house out for dope money. Not anymore. “You don’t snitch on your friends, Mike,” Oliver told him. “It’s just not cool.”


Christa Polkinhorn, originally from
IAN. Welcome Christa. I understand you've had a very recent book release. Please tell us a bit about it.
CP. A chance meeting between a middle-aged woman, a widower, and a semi-orphaned child in the city of
While trying to help Karla, a talented but troubled child, Anna and Jonas develop feelings for each other that go beyond friendship. The budding romance, however, hits a snag when Anna discovers a sinister secret in Jonas’s past. While the two adults have come to an impasse, young Karla takes matters into her own hands. Together with a friend, she develops a plan to bring the two uncooperative adults back together. The plan, however, creates havoc and as it begins to unravel, Karla is forced to learn some difficult lessons.
An Uncommon Family is a story about loss, lies, and betrayal but also about the healing power of love and forgiveness. It takes places in
IAN. How long did it take to write the book?
CP. I wrote a first draft of a similar novel several years ago, then abandoned it. After finishing my debut novel Love of a Stonemason, I picked it up again and completely changed it. The actual writing of the second draft took about a year.
IAN. What inspired you to write the An Uncommon Family?
CP. The seeds to this novel can be found in a former manuscript I mentioned above and in my earlier novel Love of a Stonemason. After writing about Karla, the young painter, I couldn’t get her out of my mind. I wanted to find out more about her life as a child and a young girl. I also wanted to get to know her aunt who raised her and her first painting teacher and close friend who became an important presence in her life. And so a new story began to take shape.
IAN. Tell us about your writing process. Do you write at night or in the morning?
CP. My favorite time is the early morning. In a way though I write all the time. I think about stories and characters while taking a shower, going for a walk or sitting together with my friends. That’s why I often look a little absent-minded.
IAN. Did you use an outline or do you just wing the first draft?
CP. I do both. I normally just sit down and write. Then after a while, I do some outlining, then go back to writing and the outline changes. Since the plot in my novels usually stretches over several years, I have to be careful about the timing. The real challenge in An Uncommon Family was the fact that I went back in time and wrote a prequel to Love of a Stonemason. In this case, I had to come up with a timeline that was realistic enough, since the events took place before Love of a Stonemason.
IAN. How is your book different from others in your genre?
CP. Both my novels, An Uncommon Family and Love of a Stonemason cross genres. They are part general fiction, part romantic fiction. They are love stories but they go beyond the more formulaic romance in that they deal with marriage, family life, as well as art and creativity.
IAN. Is your book published in print, e-book or both?
CP. As of now, An Uncommon Family is available as e-book only but will be available in print in the future.
IAN. What do you hope your readers come away with after reading your book?
CP. I hope readers will like the characters and be able to relate to them, no matter how flawed they are. I also hope they will enjoy the international flavor of the story, which takes place in
IAN. Where can we go to buy your book?
CP. E-book for Kindle on Amazon
E-book for the Nook on Barnes&Noble
Different e-book versions on Smashwords
The book can also be ordered from My Website
IAN. Tell us about your next book or a work in progress. Is it a sequel or a stand alone?
CP. I’m working on a possible third book in this Family Portrait series. I am also in the process of translating my novels into German, so they would be available for readers in the German speaking world.
IAN. Any other links or info you'd like to share?
CP. Yes, I would love my readers to drop by my website as well as my blog (and click the Follow button on my blog!)
An Uncommon Family by Christa Polkinhorn
Page count: abt. 200 pages
General fiction/Love Story
Bookworm Press
Excerpt from book
Chapter 1
Karla licked the crispy cone, trying to catch the sliding droplets before they hit the ground. The raspberry ice cream was a dark purple, her favorite color. She wrinkled her nose as she caught another whiff of exhaust from the busy street along the
A longish canoe was sliding by a tourist boat on the river. People with funny-looking sun hats and dark glasses sat on the benches of the boat. Along the river on the other side, the built-together stone houses looked like a row of uneven different-colored teeth, gray, yellow, white, and some with a tint of orange. Behind the houses, on top of the hill, the linden trees at the park shimmered in their pale-green foliage and a curtain of dark-green ivy hid part of the gray granite wall.
Karla took another lick from her ice-cream cone, then turned around and peered through the window of the art shop, where her aunt picked up two framed pictures. When she looked back at the sidewalk, her breath caught.
“Mama?” she whispered.
She saw the woman only from behind, but the bounce in her step, the long, reddish-blond hair flowing down her back, swaying left and right, the tall, slender figure—it must be her mother. She tossed the rest of the ice cream into the trash can, got up, and ran after the woman.
“Mama!” she called as the woman got ready to cross the street. The light turned from blinking red to solid red, just as the woman reached the other side. Karla rushed after her, barely aware of the honking around her or of the shrill warning bell of the blue-and-white streetcar. She heard someone yell at her but by then she had arrived at the other side. The woman was walking along the river toward the
“Mama, wait!” Karla bumped into someone.
“Watch it, kiddo.” A man stepped aside.
“Mama . . .”
The woman finally turned around and looked back, scanning the people behind her, then walked on. Karla stopped dumbfounded. It was the face of a stranger.
A wave of despair washed over her. Not believing that she could have been so wrong, she started to run again. She didn’t see the slight indentation in the pavement. As she fell, she barely noticed the searing pain in her knees; the disappointment hurt more. She covered her face with her hands and sobbed. Mama would have helped her. Mama would have picked her up, hugged her, and even sang a little tune to her to make her feel better. But her mother was gone.
“Are you hurt, honey?” a dark voice said. Karla felt a hand on her back. “Come on, let me see.”
A pair of strong arms lifted her up. She looked into a face with a gray-white beard and kind, blue eyes below thick tufts of eyebrows. The man was tall and sturdy. He had wildish white hair. He reminded her of Saint Nicholas. But it was summer and Saint Nicholas only appeared in December.
“Are you here alone?” he asked. “Where’s your mother?”
The question brought a new flood of tears. “I thought it was Mama,” Karla managed to say, her chest heaving with sobs.
“Karla, what happened? Why did you run away?” Aunt Anna came rushing toward her, clutching her purse and a large package. “I thought I’d lost you. Jesus, what happened to your knees?” She bent down, put the package on the concrete and examined Karla’s legs. Brushing a strand of wavy brown hair out of her face, she peered at the man with gray-blue eyes, the color of ice. “What’s going on here?”
“I just happened to walk by when she fell,” he explained. “She said something about looking for her mother. Are you her mother?”
Anna shook her head. “No, I’m her aunt. Her mother . . . died half a year ago.”
“I’m so sorry.” The old man gently touched Karla’s cheek. “But she thought she saw her mother.”
Anna sighed. “She still hasn’t accepted the truth.” She turned to Karla. “Tell me what happened, sweetie?”
Karla told her between sobs that a woman had walked by who looked exactly like her mama.
“But you know that’s not possible, don’t you?” Aunt Anna hugged her. Karla leaned her face against Anna’s chest and poured her sorrow into her sweater. It was soft but didn’t smell like her mama’s. Anna waited for her to calm down. “We have to take care of your knees.”
“There’s a pharmacy right over there. I’m sure they have something to clean the wound and some bandages. May I?” Saint Nicholas gave Anna an inquiring look.
Anna nodded and the man lifted Karla up. His thick hair tickled her cheek. Karla wrinkled her nose. He gave off a faint whiff of smoke, which reminded her of Anna’s woodstove. It felt a little comforting.
At the pharmacy, a friendly lady took care of Karla’s knees. She wiped them clean, trying not to hurt Karla, who flinched and gave an occasional sob. “Sorry, hon, but we don’t want it to get infected.”
While the woman bandaged Karla’s legs, Anna unwrapped the package she had been carrying. She handed Karla one of the pictures and held the other one up for her to see. “Don’t they look beautiful?”
Karla nodded with a weak smile. They did look nice. She barely recognized them again behind the glass and surrounded by a fine wooden frame. One of them showed a woman, sitting on a chair and holding a little girl in her arm. The woman had long reddish-brown hair and the girl’s hair was black. They were sitting in front of a house. The stones in the wall had an irregular shape; they looked a little bit like cobblestones. It had taken Karla a while to make them look right. The other picture showed a tree with large purple and cream-colored blossoms. It was the chestnut tree in front of Karla’s old home. She had painted the pictures with her favorite pastel pens.
“They’re gorgeous,” Saint Nicholas said in his deep voice. “Who painted those?”
“Karla did,” Aunt Anna said.
Saint Nicholas stared at her, then at the pictures, then at Karla. “How old is she?”
“Six,” Karla said, brushing the last tears off her face. Anna handed her a Kleenex.
“And she painted those by herself, without help?” The man squinted as he scanned the pictures. The wrinkles on his forehead and around his eyes deepened. He truly did look like Saint Nicholas.
“Yes,” Anna said.
“This child is very talented. Does she get any instruction?”
“I’m actually looking for a teacher for her. She loves to draw and paint. If it was up to her, she’d do it all day long. And it seems to help her with . . . you know, the loss.”
“Amazing.” Saint Nicholas shook his head and continued to scan the pictures. “Well, I happen to be a painter myself. I also teach a few children.” He looked at Karla and Anna with a serious face. “I’d love to have her as a student.”
